Méan Earraigh marks the spring equinox, when night and day are of equal length and spring officially begins. Birds begin their nesting and egg-laying, and eggs--symbolic of rebirth, fertility, and immortality--are tossed into fresh furrows or eaten by ploughmen. They are also carried by those engaged in spring planting.
A charming custom is painting eggs with symbols and pictures of what one wishes to manifest in the coming year. The eggs can then be buried in the Earth Mother, who hears the cries and dreams of her children. In some communities, eggs are hidden in the stores of seed grain and left there all season to bless the sowing and encourage the seeds to sprout. Dressed as mummers, "pace-eggers" go from house to house and demand eggs and coins in return for a short performance. Men and women exchange clothing for the show.
The eggs given to the pace-eggers have been wrapped in leaves, roots, flowers, and bark before boiling, to impart color. Later the eggs are used in games, such as attempting to strike an opponent's legs. The eggs might be hidden or rolled down hillsides, after which they are eaten. Blood, ashes from sacred fires, fistfuls of salt, or handfuls of soil from a high mountaintop are scattered on the newly sown fields.
Offerings of food and milk are left for the faeries and other spirits who live in and around rocks and are responsible for the fertility of the land. A few fruits from the previous year's harvest are left for the nature spirits. Sacred hilltops are visited, and picnics of figs, fig cakes, cider and ale are enjoyed. The figs are symbolic of fertility, the leaf being the male element and the fruit the female.
In the druidic tradition, Aengus Og is the male deity of the occasion. Son of In Dagda and Boand, he was conceived and born while Elcmar, Boand's husband, was under enchantment. When three days old, Aengus was removed to be fostered by Midir, god of the Otherworld mound at Bri Leith, with his three hostile cranes. These birds guarded the mound and prevented the approach of travelers, and were said to cause even warriors to turn and flee.
From: A Druid's Herbal for the Sacred Earth Year
A charming custom is painting eggs with symbols and pictures of what one wishes to manifest in the coming year. The eggs can then be buried in the Earth Mother, who hears the cries and dreams of her children. In some communities, eggs are hidden in the stores of seed grain and left there all season to bless the sowing and encourage the seeds to sprout. Dressed as mummers, "pace-eggers" go from house to house and demand eggs and coins in return for a short performance. Men and women exchange clothing for the show.
The eggs given to the pace-eggers have been wrapped in leaves, roots, flowers, and bark before boiling, to impart color. Later the eggs are used in games, such as attempting to strike an opponent's legs. The eggs might be hidden or rolled down hillsides, after which they are eaten. Blood, ashes from sacred fires, fistfuls of salt, or handfuls of soil from a high mountaintop are scattered on the newly sown fields.
Offerings of food and milk are left for the faeries and other spirits who live in and around rocks and are responsible for the fertility of the land. A few fruits from the previous year's harvest are left for the nature spirits. Sacred hilltops are visited, and picnics of figs, fig cakes, cider and ale are enjoyed. The figs are symbolic of fertility, the leaf being the male element and the fruit the female.
In the druidic tradition, Aengus Og is the male deity of the occasion. Son of In Dagda and Boand, he was conceived and born while Elcmar, Boand's husband, was under enchantment. When three days old, Aengus was removed to be fostered by Midir, god of the Otherworld mound at Bri Leith, with his three hostile cranes. These birds guarded the mound and prevented the approach of travelers, and were said to cause even warriors to turn and flee.
From: A Druid's Herbal for the Sacred Earth Year
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http://gypsymagicspells.blogspot.com/
http://gypsymagicspells.blogspot.com/
~Citrine~
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